LANTERNS OF URSA MINOR
2003
Robert Barry & Hollman, Reuter, Sandman
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
LF: Why did you agree to participate?
RB: Personally, because I like you. You asked me. I always feel honored when someone asks me to make something for them and is willing to support the project. It's a great trust on their part and responsibility on mine. Also, I'm always looking for some different way or situation in which I can work and make art. It helps to keep things interesting. Sometimes making art can be very boring. And, I like art about time and change. The fact is, that when the sun finally does show itself, after all of our work, everything will melt away.
LANTERNS OF URSA MINOR
2003
Robert Barry & Hollman, Reuter, Sandman
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
LF: Why did you agree to participate?
RB: Personally, because I like you. You asked me. I always feel honored when someone asks me to make something for them and is willing to support the project. It's a great trust on their part and responsibility on mine. Also, I'm always looking for some different way or situation in which I can work and make art. It helps to keep things interesting. Sometimes making art can be very boring. And, I like art about time and change. The fact is, that when the sun finally does show itself, after all of our work, everything will melt away.
LANTERNS OF URSA MINOR
2003
Robert Barry & Hollman, Reuter, Sandman
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
LF: Why did you agree to participate?
RB: Personally, because I like you. You asked me. I always feel honored when someone asks me to make something for them and is willing to support the project. It's a great trust on their part and responsibility on mine. Also, I'm always looking for some different way or situation in which I can work and make art. It helps to keep things interesting. Sometimes making art can be very boring. And, I like art about time and change. The fact is, that when the sun finally does show itself, after all of our work, everything will melt away.
LANTERNS OF URSA MINOR
2003
Robert Barry & Hollman, Reuter, Sandman
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
Excerpts from a conversation between Robert Barry and Lance Fung, May 12, 2003
LF: How have you found the collaborative process?
RB: I'm just going along with what the architects are doing. But I do like making art via phone, fax, and e-mail.
LF: Is the snow and ice affecting your design?
RB: Only in that my first ideas about presenting the words in the ice structure were not practical: video projections and using a thin vinyl material that could light up. Now I don't really know what the words will look like. I'm just following the advice of my three architects.
LF: Why did you agree to participate?
RB: Personally, because I like you. You asked me. I always feel honored when someone asks me to make something for them and is willing to support the project. It's a great trust on their part and responsibility on mine. Also, I'm always looking for some different way or situation in which I can work and make art. It helps to keep things interesting. Sometimes making art can be very boring. And, I like art about time and change. The fact is, that when the sun finally does show itself, after all of our work, everything will melt away.
ARTWORK
ARTWORK
ARTWORK





