COLORS OF CLOË FROM D.O.PE. SERIES
2022
Thomas Ruff
D. doors
O. of
PE. perception
“As an artist I always wanted to question reality, the way we represent it as well as the way we look at it. But I also wanted to go beyond what you see or what is imaginable.
The images I create are simultaneously organic and nonorganic. They remind you of things you might have seen in nature, but at the same time they seem to be unfamiliar and unworldly. You can go on a journey through a fantastical landscape, without knowing where exactly you are. Some of them are like looking into outer space, others resemble an aquatic environment, others again are similar to forestscapes. And when you zoom into the images the structures resemble seeds or fronds and you can get completely lost. And even though the imagery appears to be natural, they are technological images – created with a software on a computer printed out by a machine. With those images I am able to combine traditional image making with computational technology and subtly give shape to the world that is about to be.”
COLORS OF CLOË FROM D.O.PE. SERIES
2022
Thomas Ruff
D. doors
O. of
PE. perception
“As an artist I always wanted to question reality, the way we represent it as well as the way we look at it. But I also wanted to go beyond what you see or what is imaginable.
The images I create are simultaneously organic and nonorganic. They remind you of things you might have seen in nature, but at the same time they seem to be unfamiliar and unworldly. You can go on a journey through a fantastical landscape, without knowing where exactly you are. Some of them are like looking into outer space, others resemble an aquatic environment, others again are similar to forestscapes. And when you zoom into the images the structures resemble seeds or fronds and you can get completely lost. And even though the imagery appears to be natural, they are technological images – created with a software on a computer printed out by a machine. With those images I am able to combine traditional image making with computational technology and subtly give shape to the world that is about to be.”
COLORS OF CLOË FROM D.O.PE. SERIES
2022
Thomas Ruff
D. doors
O. of
PE. perception
“As an artist I always wanted to question reality, the way we represent it as well as the way we look at it. But I also wanted to go beyond what you see or what is imaginable.
The images I create are simultaneously organic and nonorganic. They remind you of things you might have seen in nature, but at the same time they seem to be unfamiliar and unworldly. You can go on a journey through a fantastical landscape, without knowing where exactly you are. Some of them are like looking into outer space, others resemble an aquatic environment, others again are similar to forestscapes. And when you zoom into the images the structures resemble seeds or fronds and you can get completely lost. And even though the imagery appears to be natural, they are technological images – created with a software on a computer printed out by a machine. With those images I am able to combine traditional image making with computational technology and subtly give shape to the world that is about to be.”
COLORS OF CLOË FROM D.O.PE. SERIES
2022
Thomas Ruff
D. doors
O. of
PE. perception
“As an artist I always wanted to question reality, the way we represent it as well as the way we look at it. But I also wanted to go beyond what you see or what is imaginable.
The images I create are simultaneously organic and nonorganic. They remind you of things you might have seen in nature, but at the same time they seem to be unfamiliar and unworldly. You can go on a journey through a fantastical landscape, without knowing where exactly you are. Some of them are like looking into outer space, others resemble an aquatic environment, others again are similar to forestscapes. And when you zoom into the images the structures resemble seeds or fronds and you can get completely lost. And even though the imagery appears to be natural, they are technological images – created with a software on a computer printed out by a machine. With those images I am able to combine traditional image making with computational technology and subtly give shape to the world that is about to be.”
ARTWORK
ARTWORK
ARTWORK
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