Nadine Robinson (born 1968) is an American multi-media artist whose work explores the intersections of sound, architecture, and African American history. Born in London and raised in New York City, she earned her MFA from New York University and rose to prominence through her large-scale installations that translate complex social narratives into physical, sensory experiences. Her practice often involves the use of unconventional materials—such as human hair, speakers, and sound equipment—to create "audio-sculptures" that address themes of religion, civil rights, and urban identity.

Robinson is perhaps best known for her monumental wall installations, such as self-portrait (1968) and Coronation Mashup, which utilize thousands of small, meticulously arranged components to mimic the texture of paintings or architectural facades. Her 2005 work Tower of Babel utilized a massive stack of speakers to broadcast a "mashup" of historical speeches and gospel music, creating a sonic environment that reflected the cacophony of modern social discourse. By combining high-concept abstraction with materials rooted in everyday life, she challenges viewers to consider how collective memory and cultural heritage are encoded in the objects and sounds that surround us.

Her work has been featured in major exhibitions at institutions such as the Studio Museum in Harlem, the MoMA PS1, and the National Museum of Women in the Arts. Robinson has received numerous accolades, including the Louis Comfort Tiffany Foundation Award and a fellowship from the John Simon Guggenheim Memorial Foundation. Through her site-specific projects and rigorous research, she remains a significant voice in contemporary art, continuously investigating the ways in which historical legacies continue to resonate within the built environment.