KIKI SMITH
Kiki Smith (American, b. 1954, Nuremberg, Germany) is recognized for her multidisciplinary practice through which she explores embodiment and the natural world. The body, mortality, regeneration, gender politics, as well as the interconnection of spirituality and the natural world are observed through a postmodern lens. Her expansive practice resonates personally and universally, manifesting in sculpture, glassmaking, printmaking, watercolor, photography, and textile, among other production methods. Drawn to the cogency of repetition in narratives and symbolic representations, much of Smith’s work is inspired by the visual culture of the past, spanning scientific anatomical renderings from the eighteenth century to the abject imagery of relics, memento mori, folklore, mythology, Byzantine iconography, and medieval altarpieces. Smith has been the subject of numerous solo exhibitions worldwide including over 25 museum exhibitions.
Her work has been featured at Give Venice Biennales, including the 2017 edition. She is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and in 2017 was awarded the title of Honorary Royal Academician by the Royal Academy of Arts, London. Previously, Smith was recognized in 2006 by TIME Magazine as one of the “TIME 100: The People Who Shape Our World.” Other awards include the Skowhegan Medal for Sculpture in 2000; the 2009 Edward MacDowell Medal; the 2010 Nelson A. Rockefeller Award, Purchase College School of the Arts; the 2013 U.S. Department of State Medal of Arts, conferred by Hillary Clinton; and the 2016 Lifetime Achievement Award from the International Sculpture Center, among others.
She is an adjunct professor at NYU and Columbia University.
KIKI SMITH
Kiki Smith (American, b. 1954, Nuremberg, Germany) is recognized for her multidisciplinary practice through which she explores embodiment and the natural world. The body, mortality, regeneration, gender politics, as well as the interconnection of spirituality and the natural world are observed through a postmodern lens.
Kiki Smith (American, b. 1954, Nuremberg, Germany) is recognized for her multidisciplinary practice through which she explores embodiment and the natural world. The body, mortality, regeneration, gender politics, as well as the interconnection of spirituality and the natural world are observed through a postmodern lens. Her expansive practice resonates personally and universally, manifesting in sculpture, glassmaking, printmaking, watercolor, photography, and textile, among other production methods. Drawn to the cogency of repetition in narratives and symbolic representations, much of Smith’s work is inspired by the visual culture of the past, spanning scientific anatomical renderings from the eighteenth century to the abject imagery of relics, memento mori, folklore, mythology, Byzantine iconography, and medieval altarpieces. Smith has been the subject of numerous solo exhibitions worldwide including over 25 museum exhibitions.
Her work has been featured at Give Venice Biennales, including the 2017 edition. She is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and in 2017 was awarded the title of Honorary Royal Academician by the Royal Academy of Arts, London. Previously, Smith was recognized in 2006 by TIME Magazine as one of the “TIME 100: The People Who Shape Our World.” Other awards include the Skowhegan Medal for Sculpture in 2000; the 2009 Edward MacDowell Medal; the 2010 Nelson A. Rockefeller Award, Purchase College School of the Arts; the 2013 U.S. Department of State Medal of Arts, conferred by Hillary Clinton; and the 2016 Lifetime Achievement Award from the International Sculpture Center, among others.
She is an adjunct professor at NYU and Columbia University.
KIKI SMITH
Kiki Smith (American, b. 1954, Nuremberg, Germany) is recognized for her multidisciplinary practice through which she explores embodiment and the natural world. The body, mortality, regeneration, gender politics, as well as the interconnection of spirituality and the natural world are observed through a postmodern lens. Her expansive practice resonates personally and universally, manifesting in sculpture, glassmaking, printmaking, watercolor, photography, and textile, among other production methods. Drawn to the cogency of repetition in narratives and symbolic representations, much of Smith’s work is inspired by the visual culture of the past, spanning scientific anatomical renderings from the eighteenth century to the abject imagery of relics, memento mori, folklore, mythology, Byzantine iconography, and medieval altarpieces. Smith has been the subject of numerous solo exhibitions worldwide including over 25 museum exhibitions.
Her work has been featured at Give Venice Biennales, including the 2017 edition. She is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and in 2017 was awarded the title of Honorary Royal Academician by the Royal Academy of Arts, London. Previously, Smith was recognized in 2006 by TIME Magazine as one of the “TIME 100: The People Who Shape Our World.” Other awards include the Skowhegan Medal for Sculpture in 2000; the 2009 Edward MacDowell Medal; the 2010 Nelson A. Rockefeller Award, Purchase College School of the Arts; the 2013 U.S. Department of State Medal of Arts, conferred by Hillary Clinton; and the 2016 Lifetime Achievement Award from the International Sculpture Center, among others.
She is an adjunct professor at NYU and Columbia University.