• SELECTED ARTISTS
  • SELECTED PROJECTS
  • SELECTED PRESS
  • CONTACT
FUNG COLLABORATIVESFUNG COLLABORATIVES
  • SELECTED ARTISTS
  • SELECTED PROJECTS
  • SELECTED PRESS
  • CONTACT

SKYPOOL

2003

Kiki Smith & Lebbeus Woods

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

an observatory,

a magic well,

a hole, a sunken treasure,

a starscape,

a light drawing,

quiet, dangerous,

an open cavity that makes itself apparent for a time then erases itself back into the land

Lebbeus Woods:

Pools of ice, geometric in the ground, with figures-human and notfrozen, suspended in them.

You walk, skate on the ice pools.

You look down, into the ice.

You see, or almost see, the figures.

Snow blows across the ice pools, covering edges, and the figures, too.

In the day, the figures are shadows in the dark

ice.

In the night, the ice glows and the figures are illuminated, though darkly.

They have been there, forever.

Waiting.

Now the ice is melting.

The ice pools are melting, and the figures are revealed. Little by little,

they emerge from the melting ice.

In the end, there are only the empty pools, empty of ice and of water.

The figures rest on the bottom of the empty pools.

Then the pools are filled with earth.

(end)

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SKYPOOL

2003

Kiki Smith & Lebbeus Woods

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

an observatory,

a magic well,

a hole, a sunken treasure,

a starscape,

a light drawing,

quiet, dangerous,

an open cavity that makes itself apparent for a time then erases itself back into the land

Lebbeus Woods:

Pools of ice, geometric in the ground, with figures-human and notfrozen, suspended in them.

You walk, skate on the ice pools.

You look down, into the ice.

You see, or almost see, the figures.

Snow blows across the ice pools, covering edges, and the figures, too.

In the day, the figures are shadows in the dark

ice.

In the night, the ice glows and the figures are illuminated, though darkly.

They have been there, forever.

Waiting.

Now the ice is melting.

The ice pools are melting, and the figures are revealed. Little by little,

they emerge from the melting ice.

In the end, there are only the empty pools, empty of ice and of water.

The figures rest on the bottom of the empty pools.

Then the pools are filled with earth.

(end)

Read more Close

SKYPOOL

2003

Kiki Smith & Lebbeus Woods

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

an observatory,

a magic well,

a hole, a sunken treasure,

a starscape,

a light drawing,

quiet, dangerous,

an open cavity that makes itself apparent for a time then erases itself back into the land

Lebbeus Woods:

Pools of ice, geometric in the ground, with figures-human and notfrozen, suspended in them.

You walk, skate on the ice pools.

You look down, into the ice.

You see, or almost see, the figures.

Snow blows across the ice pools, covering edges, and the figures, too.

In the day, the figures are shadows in the dark

ice.

In the night, the ice glows and the figures are illuminated, though darkly.

They have been there, forever.

Waiting.

Now the ice is melting.

The ice pools are melting, and the figures are revealed. Little by little,

they emerge from the melting ice.

In the end, there are only the empty pools, empty of ice and of water.

The figures rest on the bottom of the empty pools.

Then the pools are filled with earth.

(end)

Read more Close

SKYPOOL

2003

Kiki Smith & Lebbeus Woods

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

Kiki Smith:

Either by proximity, osmosis, telepathy or serendipity, Lebbeus and I separately had a desire to manifest a similar situation in Lapland. Given the enormous range of possibilities, it somehow occurred to both of us to make something that lays in the land,

a mirror to the sky,

an illumination,

a murky pond,

an observatory,

a magic well,

a hole, a sunken treasure,

a starscape,

a light drawing,

quiet, dangerous,

an open cavity that makes itself apparent for a time then erases itself back into the land

Lebbeus Woods:

Pools of ice, geometric in the ground, with figures-human and notfrozen, suspended in them.

You walk, skate on the ice pools.

You look down, into the ice.

You see, or almost see, the figures.

Snow blows across the ice pools, covering edges, and the figures, too.

In the day, the figures are shadows in the dark

ice.

In the night, the ice glows and the figures are illuminated, though darkly.

They have been there, forever.

Waiting.

Now the ice is melting.

The ice pools are melting, and the figures are revealed. Little by little,

they emerge from the melting ice.

In the end, there are only the empty pools, empty of ice and of water.

The figures rest on the bottom of the empty pools.

Then the pools are filled with earth.

(end)

Read more Close

ARTWORK

ARTWORK

ARTWORK

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